Bottesini’s Tarantella in A minor lasts anywhere between about five and six minutes – Bogulsaw Furtok is one of the fastest at 5’01, but most. Giovanni Bottesini: Tarantella in A-, for double-bass and piano – Play streams in full or download MP3 from Classical Archives (), the. Buy Bottesini: Tarantella (Double Bass & Piano) by Giovanni Bottesini (ISBN: ) from Amazon’s Book Store. Everyday low prices and free delivery.
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This money financed tarantekla acquisition of an instrument of Carlo Giuseppe Testoreand a globe-trotting career as “the Paganini of the Double Bass” was launched. Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing.
Bottesini’s bass was said to be a unique instrument tarantflla a remarkable sound. After this he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces.
His fantasies on Lucia di LammermoorI puritani and Beatrice di Tenda are virtuosic tours de force that are still popular with those who are highly accomplished on the instrument. This page was last edited on 21 Decemberat At the conservatory, he studied with Luigi Rossi, to whom he would later dedicate his Tre grandi duetti per contrabasso. Shortly before his death, in he was appointed director of Parma Conservatory on Verdi’s recommendation.
Tarantella in A-, for double-bass and piano
When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera. It was built by Carlo Antonio Testore in The Testore bass was later converted back to a four-stringed instrument, and then to a three.
It nearly met its end in the s as it sat bottesin in a marionette theater in Milan. Because of the contributions of Bottesini along with those of Sperger and Dragonetti to bass technique, many have come to view the double bass trantella a diverse and versatile instrument. Bottesini purchased the Testore in for lire. His solo works remain standard repertoire for accomplished double bassists to this day.
Bottesini was widely acclaimed, and his virtuosic skill in the bass paralleled that of Paganini himself on the violin. Giovanni Bottesini 22 December — 7 Julywas an Italian Romantic composer, conductor, and a double bass virtuoso.
Here his first opera, Cristoforo Colombowas produced in Bottesini wrote three operas besides those previously mentioned: List of compositions by Giovanni Bottesini. His father sought a place for him in the Milan Conservatorybut due to the Bottesini family’s lack of money, Bottesini needed a scholarship. Bottesini died in Parma on 7 July Wikimedia Commons has media related to Giovanni Bottesini.
He prepared a successful audition for the double bass scholarship in a matter of weeks. He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double basses, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.
Most notably there are many virtuoso bass players who draw inspiration from the early renaissance of the double bass.
Giovanni Bottesini – Tarantella in A-, for double-bass and piano – Classical Archives
In and he conducted in Palermo, supervising the production of his opera Marion Delorme inand in in Barcelona. Eventually, it was changed back to a four-string configuration and is now in the possession of a private collector in Japan.
February Learn how and when to remove this template message. Retrieved from ” https: He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events.
Born in Crema, Lombardyhe was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven.
In other projects Wikimedia Commons. In he made his first appearance in England, playing double bass solos at one of the Musical Union concerts. During these years he diversified the toils of conducting by repeated concert tours through Europe.
Bottesini was also one of bottesinii first performers to adopt the French-style bow grip for the double bass. From Wikipedia, the free encyclopedia. Biography portal Classical music portal. This style was previously used solely by violinists, violists and cellists. Please help to improve this article by introducing more precise citations. On leaving Milan, he spent some time in America tarabtella also occupied the position of principal double-bass in the Italian opera at Havana, where he later became director.